PACT Centre for Emerging Artists' 'RAPID RESPONSE TEAM', hereby referred to as RRT, is a clever,
often amusing piece of conceptually driven theatre. Its title is as much a
descriptor as it is a moniker, as the group of artists given themselves two
days to respond creatively to the stories from the previous news week.
I’ll start by saying that the production is conceptually
appealing. In an information saturated world it’s kind of refreshing to sit and
watch a group of artists filter through the content, and then reflect upon it
creatively. Additionally, there was something interesting in the way the
production offered a perspective on how we view and interact with news as a
piece of entertainment. This was seen most clearly at the commencement of the
piece as the performers watched a constantly updating news feed in silence.
Every minute or so a new news story would appear, to which the performers would
cheer and drink from their beers. The audience would laugh, and then read the
title of the story; “Wife waits for word of Husband caught in killer cyclone,” to
which the audience, like the performers, would quickly feel the pang of
sadness, and perhaps guilt at utilising this story for entertainment. Yet is
that not its purpose anyway? It produced an interesting dynamic to say the
least.
The other appealing aspect of the concept was its creative
limitations. The set was simple and largely bare. A rug adorns the floor, some
tables (including the lighting desk) occupy the sides and back with a
scaffolding rig sitting back-right. There is a screen against the left wall.
The lighting is low and warm. It’s quite a welcoming space, and feels very
natural. The performance isn’t trying to sell you anything, it’s simply
practical; born out of the creative process. The team, Aslam Abdus-samad, Nick
Atkins, DA Carter, Marie Chanel, Stephanie King, Ryan McGoldrick, Kevin Ng and
Claudia Osborne, are obviously all very talented theatre makers, especially
considering the amount of time they have to put each performance together.
Before the show begins, we are told the performers started creating the
performance the previous day, culminating in approximately 15 hours creation
and rehearsal time. This produces a feeling of risk, while simultaneous
provoking admiration at the team’s ability to create smooth, entertaining
theatre with so little time.
Strangely enough, the inherent feeling of risk adds
something to the performance. The question or threat of things going wrong is a
constant presence throughout the piece. Rather than be a negative experience
however, it’s quite pleasurable to watch the performers succeed with so much
against them. It is a credit to their ability as theatre makers.
That being said however, there were some elements to the performance that were lacking, and I think this largely correlates to the amount of time the performers have to prepare.
Transitions between scenes/sections are at times long winded
and a quite clunky. This isn’t a consistent thing, but certainly occurs enough
to warrant attention. There were moments where the performance felt empty; we
were moving from one brief segment to another brief segment, and the transition
itself seemed to take the same amount of time as the segments it connected,
leading to what felt like a drawn out empty procedure. Perhaps this feeling was
a result of not knowing the subject matter the performers were drawing from,
something which at times was frustrating and other times pleasurable (It became
something of a riddle to solve).This was by no means the general experience of
the show, simply something felt at various points.
I think it’s also important to note that no two performances of RRT will be the same and because of this, I wager the team will develop their process as they go along. The problems of this show will not be the problems of their next and will no doubt improve dramatically.
I think it’s also important to note that no two performances of RRT will be the same and because of this, I wager the team will develop their process as they go along. The problems of this show will not be the problems of their next and will no doubt improve dramatically.
Rapid Response Team was accessible, interesting, amusing and
thought provoking. It is an interesting way to digest the news in an
information heavy world, and an enjoyable night out. Definitely worth a watch.
RAPID RESPONSE TEAM performances take place on:
11th April
9th May
13th June
11st July
8th August
12th September
10th October
14th November
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