New company Hurrah Hurrah have taken the story of Jerome Kerviel, French rogue trader who lost €5 billion in illegal future tradings and have devised around the notion of greed, guilt, blame and redemption in a physical manifestation of the themes inherent in this story, more than a retelling of the narrative.
It’s a nice ensemble piece and although it lacks coherence in its form- how we get from one idea to the next is tenuous- it does produce some lovely images: the cocaine snorting, the violence, the use of the door frames to create new spaces and games, standing on the ledge. What Hurrah Hurrah do well is take the essence of the idea and play with its physical form to create committed, interesting characters with intensity and dimensions.
What is lacking from the performance is the critical eye of a director who can see the big picture and how it sits as a whole. The gorilla theatre style of the actors’ cooperative certainly allows for the group to input ideas as a collective experience but it has not yet mastered the art of finding the cohesion it is searching for. This means that the rhythm is disjointed; the engagement of audience is as inconsistent as the connection between images and we find ourselves working hard to stay with the ideas and message. But there is something animalistic about what is being expressed on stage that outweighs its inconsistency and allows us to sometimes simply sit back and enjoy the message of man as primitive beast whose survival in a contemporary world thrives on lust for money and power, regardless of its effect on the community.
Trade is a piece that allows the company to showcase their skills and experiment with ideas in an interesting way. Once they refine its expression and cohesion, their work will hopefully become a sophisticated physical manifestation of current world issues that will appeal to a broader audience that moves it beyond the small community space and into the mainstream.