107 Projects oozes something that
always brings me joy, the confidence of youth. Everyone in the foyer
was sweaty with it. Their enthusiasm for the future was infectious.
Their excited chatter and loud clothing was contrasted by the
concrete and steel of the project space. Sydney's creative youth (and
by youth I mean under-30s) was full of beans and I couldn't help but
grin.
In the theatre the smoke was thick, an
asthmatic's nightmare. The performance started with three of the cast puppeteering dolls. I was skeptical. An hour and a half of
dolls? I eyed the door. I didn't think I would be able to last.
Luckily the dolls were only half the performance.
Emily Calder's 'Cough', tells of three
parents revealing their anxieties about their toddlers various
behaviours at a daycare centre. Things take a dark, surreal turn when
three and a half year old Frank starts at the centre and tells the
children of a monster that lives at the top of a newly grown tree. As
a young and relatively new playwright Calder is impressive. I do
think that 30 mins could be cut to create a tighter and pacier 60
minute piece rather than the 90 minutes of sometimes super repetitive
dialogue. I am not sure if the repetition was meant to be nod to
Theatre of the Absurd, but I think the play would be more engaging
without it.
Although 'Cough' probably had less budget
than a toddler's pocket money, the performance didn't suffer for it.
James Dalton's clever direction meant the piece benefited from the
lack of funds. The $2 remote control helicopter was a spectacular
moment. I think it was meant to be a bird, but I was laughing too
hard to hear. But by far the best low budget moment was the portrayal
of Susan, the Day Care supervisor as a mannequin head on a mop
handle. Voiced by Tom Chrisophersen her brief moments on stage and
subsequent death was some of the funniest, albeit disturbing, moments
of theatre I have ever experienced.
Benjamin Brockman and Tom Hogan's
lighting and sound designs were inspired, almost becoming an entire
character of their own.
Unhappen's production of 'Cough' will
not be for everyone's taste. It may perhaps ring a little too true to
those parents who refuse to let their kids get dirty or climb trees.
It might force them to look inside themselves to realise that their
own anxieties and refusal to let their children grow are the greatest
dangers their kids face.
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